Pedro Pascal strongly criticized Donald Trump's attack on the artist because the actor starred in a conspiracy theory that he feared that the film's political message might be weapons of the U.S. border guard.

"Fuck the guys who try to scare you." Game of Thrones and The Last Actor said at a press conference at the Cannes Film Festival, promoting Ali Aster's new film Eddington. "Strike back. Don't let them win."

He urges creatives to “continue to tell stories, keep expressing themselves and keep fighting for them.”

The comments were posted shortly after the U.S. president used his truth social platform to call singer Bruce Springsteen a "urgent, nasty asshole," and criticized his leadership and claimed Taylor Swift had less popularity because he declared "hate" against her.

"Obviously, the actors who participated in the film were very terrifying to talk about such issues," Pascal said when asked if he was concerned about whether the United States would completely shut down all forms of immigration. “I want people to stay safe and protected, and I really want to live on the right side of history (on the side).

"I am an immigrant," Pascal said, who fled from Pinochet's Chile when he was nine months old. "We escaped the dictatorship and after the asylum in Denmark, I had enough privilege to grow up in the United States and I had no idea what would happen to us if it weren't for it. So I've always insisted on people who need protection."

Pascal plays the town mayor in New Mexico with Joaquin Phoenix, Emma Stone and Austin Butler, a new film that is a well-known director, middleman and hereditary in the "Elevated Horror" movie.

Asked if he was worried about the political information of the film being used on actors when trying to re-enter the United States, Astor said: "The truth is, I've been afraid of everything. It's been.

Eddington sets the first summer of the 19th restriction and Black Lives Matter protests to bring Pascal’s restrictive introduction – to bring Mayor Ted Garcia against Phoenix’s locked legacy sheriff Joe Cross.

"I wrote this movie with fear and anxiety about the world," Aster said in Cannes. "I feel like over the past 20 years we have entered this transpersonal era. The social force that used to be the core in free mass democracies, which was the agreed version of the world, has now disappeared.