In another schedule, Joel Souza rust Will be slightly fanfare, and maybe there is some criticism. The film follows a 13-year-old boy (Patrick Scott McDermott) who escapes the law with his estranged grandfather (Alec Baldwin) - who was sentenced to death after accidentally shooting a local rancher. This is an unmelted West, a classic story of cowboys and offenders, reveling in the beautiful scenery and the Puritan moral dilemma based on many of the myths in this country.

but rust It is a more flavorful cultural product. Four years ago, Baldwin wrote and produced the film, accidentally unleashing the weapon he thought was only blank. There was a live show in the room, with the bullet deadly photographer Halyna Hutchins, who also hit Souza. This followed by a dramatic, closely-reported story that revealed the negligence on the scene and raised questions about gun safety industry practices. Baldwin was charged with involuntary homicide, but his case was dismissed because of new evidence that Baldwin's attorney's charges had been buried by prosecutors. The film's prop armored hand, Hannah Gutierrez-Reed, was also charged and sentenced to 18 months in prison.

Although Baldwin made Hutchins' surviving family (Wu Matthew Hutchins became the executive producer of the project), the actor, no stranger to controversy, finds himself on the opposite side of public opinion once again. The low-key blaming game that takes place between the main participants of the crew is boring and ultimately there is more information about the culture of production. Prior to shooting, the film's first camera assistant quit the way of shooting, uncomfortable in a "very fast, loose" way.

Baldwin and Souza finally finished rustfilming the rest of the project with Bianca Cline (Marcel with shells on shoes) As a photographer. But the result is plagued by its history. The film is specifically aimed at Hutchins, and its theme threads fit very well with the outline of the Baldwin case. action rust The accidental killing and its central moral dilemma facilitated a notorious man trying to do the right thing. Baldwin's performance was gloomy, perhaps aggravated by events on site. He plays Rust, the defendant's titular role and grandfather as a recognized tormented person.

Before we saw him, we heard rust. His metal spurs clan feet, his grandson Lucas was murdered as he shuffled the jail's wooden floor. Previous scenes show that the boy and his younger brother Jacob (Easton Malcolm) did their best after Lucas's mother died. They scraped in the favor of their charitable neighbors in a small settlement in Wyoming (which was in the 1880s) and lived on the farm left by their parents.

Lucas broke the child's arm after local bullies harassed Jacob. The boy's father was upset that he had fewer farmers and he came to ask Lucas to work for him. Lucas is not going to shoot ranchers. The young teen is trying to hunt a wolf that often hangs around his farm. But, in a state of fugue, he missed - murdering a man. The judge felt he was guilty and he was sentenced to hang. The whole event was tragic, with McDermott showing sadness in his staunch performance.

Lucas' fear is obvious when rust reaches prison. The situation of the old character's arrival is dark, shrouded in a mystery, which was only clarified later. All we know is that he came to bring his grandson (never contacted) to the southern border, and the law could not touch him. Lucas was skeptical, but rather alive. Some fear, he rode on rust.

The story of the fugitive is parallel to the other two narratives. The first problem is that Sheriff Wood Hopkins tries to catch them. The other is a fanatical religious bounty hunter Fenton Lang (a suitable slippery show by Travis Fimmel). Souza strives to balance these three views, which does not always complement each other. Their subjects - about justice, about religion in the 19th century, about illegal religion - compete for space, occasionally packed with movies.

Wood considered his son’s fate while searching for Rust and Lucas, who was plagued by a potentially fatal disease. Souza's script and Hopkins' performance gestures show some internal conflict, but the bet of this miserable is not so clear. A similar question haunts Fenton, whose reptile personality and obsession with religion hints at a story of more than one rust There is room. All three narratives consider part of the 19th-century United States, when young nations were drunk by the possibility of westward expansion and committed to revealing their destiny. But, for example, they don't go as smoothly as Clint Eastwood's Westerners.

rust Feeling more accomplished in other areas, such as the coordination of photography and combat scenes. It is unclear where Hutchins's work ends and Klein's beginning, but the end result is harmonious and visually convincing. There are some impressive moments with shadows and outlines, and no shortage of sharp gunfights. The beautiful landscape lens provides a sense of American western scale, especially when Rust and Lucas drive the rough territory. For example, some representatives of Native Americans border on painful cliches; others, such as settlers in the new terrain, were even more inspired.

What is the end rust Need more. The film sometimes made and even absorbed, but there is a work that slows down the motivation. It's a beautiful project, but a story about such a complex character should make us feel stronger and rust Work hard to achieve this goal.