Netflix has so far teased one of the most anticipated Latin American releases to date, "Eternaut" ("Eternauta"), before streaming in 12 countries, on a Fête themed on the theme on the deck, "Eternauta"), voiced in more than 12 languages ​​with over 30 subtitles.

Directed by Bruno Stagnaro, who put the country’s cult classic “Pizza, Beer and Cigarette” (“Pizza, Pizza, Pizza, Birra, Faso”) on the Copello in Buenos Aires-based K&S movie (“Wild Tales”) on the Buenos Aires-based K&S movie (“Wild Tales”).

"This series is a capability for the entire industry. We have gained a lot of knowledge in making it, and we think the project expands the ability of our country to produce audio-visual content," Mosteirin told a packed auditorium.

A modern science fiction thriller based on the same name - written by Héctor Germán Oesterheld and illustrated by Francisco Solano López, first published in a serialized comic, a serialized comic from 1957-1959, which explores a series of debris, a series of consequences of a dead snow, and explores the consequences of its inventory.

It resonates and engagingly, it manages wider social criticism and increases the theme of resilience and solidarity. Ricardo Darín ("The Secret in Their Eyes") Everyone, Juan Salvo, leads a group of survivors to famous actors through their suspense narratives, collectively responsible for avoiding the threat of mystery.

Staltari ("El Pointer"), Carla Peterson ("Lalola"), César Troncoso ("Yosi, The Regretful Spy"), Marcelo Subiotto ("Puan"), Andrea Pietra ("Partners"), Claudio Martínez Bel ("The Agronomist"), Orianna Cárdenas and Mora Fisz Round Out the ensemble.

Netflix Bet has poured into the Latin American market, which is bigger than the Pulse Height project, one of the most ambitious projects in the country to date, incorporated into both on-site and virtual sets, the first of a series of this range in the region. Withdrawing from a strong Argentina audiovisual talent pool, production generated hundreds of local jobs, providing assistance to the filmmaking economy in the process.

“Argentines are very talented. When they have the opportunity and resources, their talents emerge, grow and thrive. We end up being more of a tool than anything else, we are storytellers that can bring unique and special projects to our members,” content from Netflix Lat AM, Francisco “Paco” Ramos, Francisco “Paco” Ramos, type.

"In March 2018, we launched our first series in Argentina. Seven years later, we are at this level of quantity, diversity and ambition, very good. The most important thing is that no matter how many intentions we have, no matter how much desire and commitment we have to put in money, if there are many directors, producers, producers, producers, actors, representatives, our businesses have technology everywhere, then the staff everywhere are not suitable for us. Want to make it clear that we will continue to bet on Argentina," he continued.

The country is no stranger to savvy homegrown IP, from the independent cinema scene to several Netflix originals that have enjoyed ravenous buzz upon their debts on the streamer, most notably director Gabriel Medina's ("The Paranoids) raucous romantic comedy "Envious" ("Envidiosa") and the Harlan Coben adaptation "Caught" ("Atrapados"), directed by Miguel Cohan (“Blood Will Say) and Hernan Goldfried (“Bronze Garden”).

In addition, compelling comedy, drama, and now large-scale science fiction novels can be produced, while the Spanish-language Latin American market can further invest across sectors. For the entire global market, viewers and producers have access to the region’s intimate and extraordinary “Eternaut”, which promises to bring an absorbing stimulus and gently raise the stakes with a message.

“Argentina is very important for several reasons. One, because the quality of content produced in Argentina, whether novel or non-fiction, is very high. We are committed to making our members high-quality, ambitious content.” “Argentines, on the other hand, love to watch Argentina’s content. The feedback we get from members is: ‘We want more Argentine content, but the most important thing is: We want Argentine content to have more ambitions, higher quality, more diverse.” We have to continue to do that because at the end of the day, we owes our credit to our members. ” he added.

The series is undoubtedly the city of Buenos Aires as an extension of the character itself. The protagonist plays the Ibero-Latin card game Truco instead of poker, and the National Rock Band cracks on the radio to enhance the mood, which will surely translate into a wider audience, but gives the series a unique, clear local flair.

"'We love seeing stories with cultural traits, knowing who we are, stories we love and deny so much that make us unique and complex. Art once again becomes a special mirror, questioning why we are the way we are," Mosteirin explained. He added: “This project invites us, challenge us, and forces us to re-examine our country’s artistic traditions, compares the original works written on our own, and compares the fear of that era with the hope today.”

The project believes it needs a village, and amid the current rift of the global socio-political climate, the show offers a salty taste and reminds people that collective ignorance can be transformed into collective anger or collective action, which spreads emotions to our modern era when they are first printed.

The horror presented is rooted and tangible, as Ramos said, "anything related to the current event is still relevant. The reality is that human beings always have the same problems, the same problems. Things change, but things keep changing, the situation will not change, technology changes, technology needs to change, but needs love, be loved, longing, happiness, search, search, investigate, unchanged."