Spoiler Alert: The following works contain spoilers in "My Controls", which is the season 2 finale of "Rehearsal".

The difference between “rehearsal” and previous Nathan Field’s work is that it is explicitly about itself. The idea of ​​"Nathan for You" is actually helping small businesses might be a joke, but the Comedy Center series has a straight face. “Rehearsal” begins with a similar concept, helping volunteers solve personal relationships through obsessive preparation, rather than professional issues. But throughout the course of Season 1, the fielder (or rather his screen characters are harsh) has gone from applying his method to others to his own, demonstrating the effectiveness of his method with a desperate, doomed attempt. This should be a clue that the entire premise of Season 2 is an extended holiday.

On the surface, the second edition of "The Rehearsal" is a sincere attempt by Fielder to improve communication between airline pilots using rehearsal, and therefore (he hopes) preventing a fatal crash. The way to achieve this has been a path to lack of footsteps, weaving singing competitions together, breastfeeding of cloned dogs and bald wild hands. (Currently, that's certain.) But Sunday's finale first reveals that the fielder has kept important information in the previous episode, which reconstructed his entire career. Throughout the time, Fielder was learning to fly his own plane and eventually obtained a commercial pilot license. In other words, the fielder did not assist the pilot. he yes one. By trying to help them, he is really trying to help himself.

Fielder has already started moving his arc to the foreground in the last episode, which explains how his work resonates with autistic fans who see their eternal embarrassment. In theory, the diagnosis of these armchairs is a tilt-up for the wilderness, which can attract audiences with Democratic Tennessee Rep. Steve Cohen, who is both a member of the House Aviation Subcommittee and an advocate for neurodivergents. However, they also lead to Field’s ultimate clinical explanation of his long-term inability to easily connect with others, a decisive state of his role in the role.

In the world of brain-bending in the fielder’s work, the line between reality and performance in the eyes of the lover, “rehearsal” breaks the fourth wall to combine the reaction to Season 1 as the minimal expansion. However, the Autism storyline does provide Season 2 with what was previously lacking: Why The fielder was fully focused on the relationship between the captain's first officer. This means that there is already this - the fielder mimics an exercise to test the pilot's candor based on his own experience in producing "Canadian Idol" - but it's now clear. The fielder thinks the aviation professional's problem is free to explain his version, so he Production They are by joining the brethren's own.

The project opened a new comic front for “rehearsal”; the fielder slyly observed him in the final episode of the season that he was very bad at landing this literal plane. This also (pun intended again) takes Field's full promise stunts to a new extreme. It's "Nathan For You" marriage-style strategy- Remember when a fielder who sounds a bit manic raises a "loophole" in the regulations that can co-fly the actual planes as long as his passengers don't pay, and it's a "Nathan For You" marriage-style strategy- Remember when he revives the smoking stick when he squirts through the show? - With HBO resources. Even without music to make up for the tension of the final smooth flight, the sight of the Guardians is rarely capable on TV and jaw-dropping at cruising altitude.

But there is also a narrative logic here. Fielder’s concerns about his potential autism began with his aerial ambitions when he had to fill out the FAA disclosure form. Oppose Reddit's suggestion, fielders solicit formal diagnosis, including fMRI, to ensure there is no so About him, he cannot trust the lives of others. As a result, he was not ready for his maiden voyage in time. Instead, as he lurks in the shadows, he gets ominous voicemail from the doctor’s office to watch the final performance of “Wings of the Voice” in the pseudo-reality show. Field said in an ending covered by his abandoned delivery, he said he had begun closing empty nozzles between remote corners of the world to cope with his insecurity. "They allow only the smartest, best people to fly aircraft of this size," his off-picture method says on a bird's-eye view of the African desert. "If there is a problem with the cockpit, no one can be in the cockpit."

Even if the intentional temporary structure this season means they have less lead, it can further enhance their influence, even if these closed lines will hit a punch. Fielder started Season 2 by using his mission as a selfless exercise, aiming to help people who drive and use air travel. (From the recent headlines, it seems they need it.) The ending makes it clear that this re-edited rehearsal exercise (like the original exercise) is first about the fielder, and not just the fielder, like everyone, is saying that he has his problems with his feelings. In fact, this is one of the precious times of “rehearsal,” suggesting that the events of Season 1 (including disastrous experiments in simulated parenting) put pressure on the protagonist. What if the fielder is so disturbed by his dysfunction and the attempts of external observers to classify them drive their analysis to increasingly perform single-skill behavior? A life that is hard to redeem is destined to stare from the outside this?

In the finale, the fielder seemed both impressed and reassuring to understand that rehearsals were already an integral part of the pilot’s learning process. The trainees go straight from the high-tech simulator, just like a fielder visiting passengers outside of Las Vegas. He did not rely alone on his reliance on detailed practices, nor did he believe that these rituals did prepare him for real life. Finally, nothing is important except the results. When the fielder (successfully) landed the plane, he greeted a group of cheering actors he worked with throughout the season. "All of this applause made me feel like I did something important," he said. These people didn't know his inner turmoil, nor the pain he was going to overcome: "As long as you let everyone go safely, that's everything you need to be a hero."

By hiding his real effort to the end, Fielder leaps less than the show’s first play, perhaps more blunt than the final impact. However, he also took down that magic, because he was still a teenager and he was fascinated. (Fielder points to his early attempts during the magical period, as he first realized that his poor social skills might be a real obstacle.) The trade-off depends on his own benefits, with a fusion of form and function. The fielder masked his actual work - despite his claiming to want everything with more emotional transparency, so he concluded that he actually needed to spend the day. If you stick to landing, no one cares about how you work.