Golden doesn't have it. We are browsing the huge trading space at Rockefeller Center and talking about the singer-singer-lyricist second album, If you ask picture. It was a blissful scene for artist-born Sabrina Teitelbaum, except that a visitor wearing a beanie just interrupted us and asked if we were listening to the Beatles.
"WHO?" She retorted, and died.
The man kept talking and Brees shared a story about Dolly Parton telling him that she loved him while sitting in the second row at his show before she could escape. "Really? Is the Beatles OK?" Teitelbaum told me once we don't understand. "He's like, 'Look at these two little girls in this vinyl store.'"
In fact, Teitelbaum, 28, seems to have a music library for decades in her mind. As we walked through the colorful Midtown Manhattan store, she casually bent her knowledge, drawing obscure names and references from Steely Dan Deep Suts to Rising Indie Rock Band Wishy and anywhere in between. "I feel like I've been listening to music all my life and not doing anything else," she said. "I really don't have that much hobby. Music is an addiction to people who love music."
Teitelbaum was born and raised in Manhattan and was born on the West Coast at the age of 18 to earn a degree in pop music from the University of Southern California. She eventually dropped out of school and began to self-release synth pop under Baum, then connected with producer Yves Rothman and unleashed a fascinating, grunge-inspired alternative rock that made her one of the smartest rising stars of 2023.
The first record of the same name released that year was filled with strong national anthems like "Salad" and "Kiss City," bringing together thousands of Spotify Streams and helping her offer an opening ceremony for Liz Phair and her own sold-out headline tour. While playing with Teitelbaum, somewhere on one of the zero strap stickers on one of the black pillars of Rough Trade is the signature Show tonight first. In March, she returned to the night and performed Jimmy Kimmel live broadcast!
Despite the past few years being filled with new achievements and a growing fan base, Teitelbaum says she tries to be true to her identity. “My life has changed, but I don’t feel like I’m 2.0,” she said. “You don’t have to be someone else to make a new record.”
She started writing new albums shortly after the release of the spring of 2023. “This is where I left,” she said. If you want pictures Similar to the singer's debut, but found the golden color to be more primitive, more authentic, and confident to know what he is doing.
One element she knows she wants to combine is the heavy guitar tone that makes you feel like a bad guy, like you found in Red Pepper California and the Stone Age Queen Rating is r. On the new track "Weapons", the blonde tells a lover, "I don't want to be your mom", and the grungy guitar sways around her and crashes. “I would never think I would use[these bands]as a reference because when it comes to identity, we are so different.”
Blonde pants wore black pants and matching black pea coat, curly hair in yellow paw clips, is a microcosm of coolness, but very different from Anthony Kiedis and the flea way. A moment later, she stumbled upon a Heather Grey Chili T-shirt, dressed in a sexy devilish-style bodysuit, and wearing a little girl. This is the perfect embodiment of the female accompaniment juxtaposition of blonde hair and blue eyes, and it is on the new album. "Look at this," she said with a smile.
Teitelbaum added that she strongly hopes for more dynamic vocals on the album. “I want my voice to be more exciting and show more,” she said. “That’s what I feel like if I had more time to make the last album, I really wanted to spend a lot of time.”
When she pointed out the elf, we had moved to the alternative rock section of the store Pink surfer. "Their background vocals are a big inspiration," she said, also praising beach boys and girls groups like Ronettes. This influence is more present than her recent single “23’s A Baby,” where Blondshell’s layered harmony transforms the chorus into an ode in the vein of “Be My Baby.”
The rewards of the perfect melody of blonde hair and blue eyes are everywhere throughout the album. “I hate when people use the word 'vulnerable' because I always feel like it's always abused,” she said. “For me, it's easy for me to really not pursue instinct and just put a lot of guitars on everything and actually keep my voice and my lyrics standing alone.”
King Kongse has been fearless in her songwriting. Her breakthrough single “Kiss City” features a bold line “I’m going to end up just look at me.” But continue If you ask me a photosinger-songwriter is more in-depth. “A lot of records speak in my voice when I was a teenager,” she said. “I felt like I really couldn’t talk to a lot of things at that age, all of which wanted to come out now.” Blondshell settled his relationship with his mother, her mother’s relationship, her mother’s death in 2018, to the struggle with OCD, body image and disturbing dynamics in romantic relationships.
In "The Fire Incident", her layered voice admits: "', because I haven't grown up / it spilled / now I'm open / in love." The idea feels like the whole key If you want picturesblonde emotional burnout with moody guitar exposed. When I first asked, she said, “Part of that song is about being really tired.” “If you have a good rest, life rocks, life sucks if you are tired.” But with “part of me leaving her, she never found her/part of me still sits 15 pounds,” the song gives her full display of vulnerability.
"I really don't know that there are any women who grew up without a body Baoyuan," she said. "It's just another way to say misogyny. It's just in the air and in the water. No one can be immune to it." So it's important for her to stay open to her experience. She grew up adding: “I feel like I’ll benefit from hearing people talk about body image things.”
If you want pictures Mary Oliver's poem Dogfish is her influence on the latest songs. "I want to write more on this album - less explanation, but just images, images, images, images, images, images, and images," she said. On the single "T&A," she chronicles an unexpected love story, and the tug and attraction of the emotions that are accompanied by relationships. “With the last album, I’m so binary… It’s really 'I have to write about loving someone or loving someone,” she said. “Obviously, you feel more about people.”
When Blondshell is ready to share her second album with the world, she is ready again. "I'm proud of it," she said. "I'm really working hard." She was silent for a second when her eyes recorded again. “I hope others like it and care about it,” she said, adding, “but I can’t control it.”