June Squibb has become Alan Arkin, a woman. She is 95 years old, but on screen, she conveys her Zingers with the timing of an old man’s crack, his view of the world is not long in its bomb, the joy of the truth. After years of sneaky thieves, Squibb became the star of 2013 Alexander Payne's film Nebraska, which transformed the combination of her grandmother's behavior and cruel wit into a crowd. Last year, she took on her first leadership role (in Thelma, Action Comedy!), and now her lively moon face is centered again in "Eleanor the Great", the first film directed by Scarlett Johansson.

This movie is award season in every sense. It completely plays the role of Arkin-Arkin-Adjacect Antique Antique Brash Aplomb of Squibb's egg and egg. But, in addition, it is a poignant underside of a character who tries to use his own wisdom as a weapon. Did I mention that this is also an emotional Holocaust weeper?

When we first met Eleanor Morgenstein of Squibb, 94, who is still in Spry, she was waking up in an apartment in Florida with her eldest friend Bessie (Rita Zohar). It's Friday morning and they do a weekly ceremony: a trip to the supermarket. This may not sound too dramatic, but Eleanor rarely has a dull moment, even if it's not a friendly work, he'll give anyone a thought. When she and Bessie arrive at the Kimchi magazine section of the market and learn that their favorite Jewish brand is not there, Eleanor takes a chance to dress up as a stock boy who is totally involved in how to help them. It's funny that she consciously distorts him as an ignorant Zoomer - it's weird, and Squibb delivers her lines as if they were the opening remarks of her own talk show.

The script for Eleanor The Great by Tory Kamen is not posted on the sitcom, which is both a plus sign and a negative sign. Undeniable, as a character, Eleanor Playgive Squibb a chance to give her grandma and the passing stuff. But you always realize that this movie is trying to squeeze out your laughter.

Bessie is a Holocaust survivor with one of the ancient Eastern European accents, and a man in pain shrugged. She and Eleanor present as if they were two peas in a pod in a Jewish retirement community. But this gave us a pause. June Squibb is an actor's hell, but in "Eleanor The Great," she doesn't stand out as much as Bronx's Jewish (which is what the movie means in the first place).

However, there is a good explanation. The movie is set in which Bessie was once Eleanor’s soul mate suddenly died for decades. Eleanor never lived alone, so she moved to New York City to the east side apartment of her daughter Lisa (Jessica Hecht) and grandson Max (Will Price), and it became clear that "Eleanor the Great" was more than just a glorious sitcom. This is an investigation into who Eleanor is.

"I got it, I cut my hair," Lisa Eleanor said. "I liked it better before." That was the boundary that made Eleanor and June Squibb's comedy a bit antisocial. Eleanor is not just a sharp nail. She has boundary issues when she thinks she can say something. She speaks less than she entertains herself. It was the mouth that made her in trouble.

Introducing where mothers can spend some time and make friends, she wanders around a circle of people, it turns out to be a support group for Holocaust survivors. An average person will get up and leave, or may ask to listen. However, none of these choices satisfy Eleanor, who needs to be the center of action. So she starts telling a story about her coming from Poland and then it happens to her, and it happens and we realize she is making up for her identity. She is telling Bescy's story and passing it on as her own. And, of course, do a fascinating job.

Erin Kellyman, a journalism student at NYU, sat in a group to write an article for one of her lessons, and she was shocked by Eleanor's story. She wants to introduce her in the article! And, because Eleanor has access to the company, her connection to Nina - the standard partner movie telescope. If there are many questions about "Eleanor The Great" that seem to come out of the writer's processor often, check out this coincidence of 101 Forivance: Back to Florida, Eleanor and Bescy and Eleanor and Eleanor and Chiwetel Ejiofor, a handsome cable news reporter, the father of Roger's recent nina nina nina nina nina.

Now, the table is set as Eleanor's fake Holocaust story Very people.

Someone would fit into the wartime survival legend of her best friend, which is obviously indisputable. However, in a strange way, I think the outrageousness of "Eleanor the Great" being loyal to this premise should make its comedy even more tight. However, Johnson did very effective guidance, but did not hone his own scenario. She keeps the whole thing seriously and neutral in a plot-driven way, and Squibb is her wildcard. As Nina, Erin Kellyman has a precocious eyes wide open, full of sadness about her mother's death. Very much wanted to be a movie about sadness. It tells us that grief is at the heart of Eleanor’s deception – the grief of Bessie’s death, grief she can’t bear. That's why she did this! But guess what? I don't believe it for a moment. It's not when June Squibb spends such a good time and makes himself the focus.