"If I'm called the 'icon' again, I'll scream," June Squibb said with a smile from her Los Angeles home.

It was a big year for the 95-year-old actress. ThemaSquibb's first feature film role became one of the biggest success stories of featured last year, earning over $12 million in global box office and becoming the highest-grossing film in two-year history, the highest ever released by publisher Magnolia. She also expressed a character in Inside Out 2, which became the highest-grossing animated film of all time. Anyone, not to mention the person they have been in entertainment for seven years, the dreamer.

While satisfied with the focus of Hollywood's favorite non-contenders, Squibb finds it sometimes absurd: "A 70-year-old will say, 'I want to be you, when I grow up me!'" After all, Squibb is just doing what she's been doing after all, doing the same job from law-abiding and cabearets, and working like her with the scores scores scores scores scores and Alexnexnecese in the movie.

Still, when she pushed for the premiere of her latest film, Eleanor The Great, she happened to be the director's debut for Scarlett Johansson, but was still coming for Squibb's hits. Johnson recalled: “When I called June and told her, ‘Oh my God, June, we were going to Cannes and say, ‘She said, ‘Okay, that was great.’ “And she was like, ‘Okay, that was great.’ “And she was like, ‘Okay, I was there about 10 years ago (for Penn’s Nebraska) so I knew the drill. "I just said, "June, you are the best." "transparent

In the film that will be released by Sony Image Classic after the festival, Spib plays the title character of the same name, a woman who moved back to her native New York from Florida to get closer to her daughter and try to create a new life for herself after the death of her best friend and roommate.

It wasn't a big leap for Squibb to play a role and return to New York City after many years. "I lived there for 65 years," the actress said. "I went to California about 20. But, of course I know everything about New York." Shooting from Brooklyn and Queens to the meat packing area and the entire city of the East River. Squibb is a perfect West Sider, surprised by the changes in the city. "(Brooklyn) was crazy gentrified. It was fun for me because my memory of Brooklyn was the only place anyone has ever been to."

Since Eleanor tells a story that deals with the themes of Jewish heritage, Squibb must remember more memories than her lines, in addition to topics like sadness and aging. "I learned the readings of the Bat Liturgy Mitzvah Torah, which I actually did on the camera," she said. "I lived in an apartment with my assistant and one morning, and I woke up and said, 'Oh my god, in my dream, I'm doing the Torah!"

As for director, one of Hollywood's biggest stars, Spoibb said she and Johnson immediately connected. "I just feel like I know who this person is. She's very - what is the word? It doesn't matter. She's her own. She's not letting you look at someone she wants you to see. It's just her. That's where she's heading so well."

Working with an actress is a new experience for Squibb, who added that Johansson expects the notes and space she needs to make the scene right: “Now, even if they know a little about the performance, they can’t do it.

As for his second return to the Cannes red carpet, one of Squibb’s most vivid memories was getting assistance from Nebraska director Payne and her co-star Will Forte.

"I still remember going up the stairs," said Squibb, Palais' famous steep red steps bring audiences and talents into the Grand Auditorium of Lumière. "I was in the 80s at the time. Will Forte held one arm, Alexander Payne grabbed the other, and they dragged me to those stairs. They made sure I lifted it up the stairs."

It is worth mentioning that Nebraska had a 10-minute standing ovation out for the first time. "I still remember that by the end, I grabbed Alexander's waist and cried in his chest," Squibb recalls, who was nominated for an Oscar for her performance in the movie.

Squibb has no plans to rest his crown, nor has he retired for it. Recently, she was flooded with the script. Hollywood has long been addicted to the stories of youth and around it, embracing projects centered on older people. "Now that our population is aging, people are really interested in aging," she said. "I think people know 90-year-olds. We have more. I have 100 friends! People want to see aging. They want to know: What do I have to expect?"

However, not all materials are correct.

"A script was written for a 70-year-old. I had to laugh because I thought I couldn't do something I could do when I was 70. They wanted me to ride a horse!" She smiled and thought, and then thought, "Now, I'm not even saying I can't (ride). I've riddened before, so I don't know, maybe if they let me keep going, I can keep going."

And, if Squibb does, please - don't call her an icon.