Lynne Ramsay never showed an interest in making easy-to-digest films, and her stubborn psychological drama refused to provide comfort or provide neat answers to the messy questions that her character’s overly high life. The uncompromising Scottish director is not soft on her jagged fifth album My love. Jennifer Lawrence offers an unwelcome performance that blurs any separation between disturbing reality and disturbing fantasy, playing a woman who plays a vast space transplanted into rural America, where her marriage, maternity and family lives in her, her sanity is in trouble.

When screenwriters Enda Walsh, Ramsay and Alice Burch relocated Argentine writer Ariana Marwicz from the French countryside for his 2012 debut novel by Lynchian in 2012, they were loyal to the harsh attention of a woman in an increasingly feverish state of isolation (whether she was alone or in a person’s room).

Lawrence star Robert Pattinson plays Grace and Jackson, a couple transforming from New York to an unnamed location nestled among tall trees and prairie prairie. His family is from the area, with mother Pam (Sissy Spacek) and Dotty's father Henry (Nick Nolte) still living nearby. Jackson inherits a spacious, fanatical house from his uncle, and he commits suicide in an unusual way, meaningless and has zero impact on the story.

Photographer Seamus McGarvey (DP on Ramsay's) We need to talk about Kevin) When the couple first arrived at the house, the opening was shot in an amazing fixed camera mid-sized lens, walking into the frame as they entered and left a different room.

Jackson told Grace that there were no neighbors nearby so she could explode the music as she wanted. She did, getting them both to the point where they started to start on the floor. From the beginning, it was confirmed that Grace's appetite for sex was gargantuan.

But by the time their baby boy arrived, the couple's enthusiasm in the league had seemed to have been denied several degrees. It wasn't good with Grace, who was sloping around like a leopard, dragging her back and reaching a hand over her pants while emitting boring telescopes as she watched Jackson and their son on the porch. She ignores the chores and starts having sexual fantasies - or are they real? - About a popular cyclist (an underutilized Lakeith Stanfield), who kept roaring around the house, sometimes hovering back to look at her.

Ramsay jumped from the birth of the baby to the pregnancy of Grace, and had no good reason to lower the chronology (I'm sure I wouldn't be the only one who thought she was expecting a second child). Pam and Jackson's chatty auntie visit, and they sit around Mom. Grace didn't even pretend to be interested, but her patience and patience with Harry, the latter surfaced. Like many threads here, threads about Pam sleepwalking are everywhere.

As Grace's behavior became increasingly unstable, her first hour or so was a bit stuck, and she believed Jackson was screwing up while working. She was dissatisfied with the rudeness of a chatty convenience store cashier and the women at parties, her dissatisfaction was hers, where she embarrassed Jackson by throwing clothes away in the living room and then jumping into a pool of kids in slim lingerie.

Pam tried to reassure her: “Everyone is a bit of a loop in the first year after a baby.” But the range of throwing yourself through the glass door or smashing the bathroom is beyond the loose end. Early on, Jackson tried to relieve his mood by bringing home dogs, which was a bad idea when it kept yappy and whiny and grace could use shotguns. Jackson tries to talk to her in the car to find out what went wrong and she causes the accident. Later, she told him that they had sex for two and a half months and was verbally abused when he failed to perform his command.

Postpartum depression continues to appear, which may be the cause of Grace's psychological collapse. But her connection with the baby seemed to be very good. The problem is the wear and tear connection with husband.

Lawrence will certainly stick with her physically demanding role, and she is always a dynamic presence. But Ramsey’s love for abrasive characters and a total disgust of sensibility, while the admirable qualities in the film’s work are known for their shock and horror shock, keeping Grace away. She is a wild animal in the trap and watching her growl or paws or masturbate on the wall can only be fun for such a long time.

When Pattinson plays the sensibility and a touching spirit of forgiveness, it makes it easier for him to play Jackson. When she is in the craziest madness, ask Grace to marry him - is it really WTF? Mobile - Given that drunk weddings tend to get people out of their inhibitions, this is a bigger mistake than a dog. or any grace left behind.

Stay in a mental health facility - while it doesn't address Grace, which mostly just plays a happy wife and mother, still saves the film from long-term taxation bipolar emotions. The happy scene of Grace and Jackson singing to David Bowie's "Kooks" in the car is a reminder that there is a couple who do indeed love each other behind a tense alliance. Ramsay sang Joy Division's "Love Will Make Us Separate" record in the final honor, not all.

Regardless of the flaws of the film - some of which may be due to its being driven to the final stage of the Cannes Film Festival deadline in the final stage of the post - the closing ceremony has a retrospective effect on everything that has been before. It's changed My love (The film loses commas in the title of the novel) From solo exhibitions of self-destruction to thoughtful thinking about complex relationships and all the need for patience and understanding.

Just before the end, the image of a forest fire returns in a broader way, showing that one partner is willing to go to any extreme to feel the freedom she desires, while another partner finally sees her unruly desire and realizes that he must make room for them. Ramsay's movies are hard to fall in love with, but that beautiful visual performance is so intense that the whole clumsy thing blends together.