Tom Cruise's global promotional hop game will plant him this week at the Cannes Film Festival, where he will unveil "Task: The Final Estimation of Impossible" after the cessation in Japan, South Korea and London. The meditation close-up of the star's dirt-faced face makes the Croisette chili flavor on the 4K LED screen, and the premiere is expected to be one of the most dazzling this year.
Denzel Washington, Jennifer Lawrence, Scarlett Johansson, Paul Mescal and Halle Berry will take turns on the red carpet at the Grand Palais, while Cruise is the last game for an Agent Ethan Hunt in the field.
At 62, movie idols dance harder and faster than ever to bring global audiences to theaters. Last week, he expanded the top of London's large BFI IMAX Theatre. The next day, he jumped off a helicopter and tied the camera to his chest. Perhaps the most daunting thing is his talent, who sat down for an interview with Tiktok on Tuesday.
Why? Because the bet for the "final estimate" is high in many ways. First is Cruise's legacy. Yes, he is the four-time Oscar nominee and the titular maverick of "Top Gun". He will work with Alejandro González Iñarritu to return Artier fares, which may polish him with the memorable transformation he received in 1999 in Paul Thomas Anderson's "Magnolia" in Paul Thomas Anderson. This is a franchise he slams into the ruthless stunt competition in eight parts. The first movie in the series was the first one he made, and the stunts against death he performed in each film have become synonymous with his brand
“He had a social media campaign, like I’ve never seen it before.” “But it was worth it, and the movie was comparable to the biggest journey of the theme park.”
Cruise and the machinery around him have already admitted that “Mission: Impossible” represents the experience of the film itself. The actor is particularly keen to sell the film, the best event to enjoy in quality formats like IMAX (smart, considering Ryan Coogler’s candid explanation of the “sinners” of his box office hits, and how curiosity and acceptance of the screen configurations change. The parades of these movies are so sacred that when the two crew members stood six feet apart, he stood out in a now-choosy rant against the health protocols of the era, which could have led to production shutdowns.
But if we talk about solidifying Cruise as one of the greatest movie stars of all time, the financial performance of the “final estimate” must also be overwhelmed. The predecessor of the film, “Dead Reckoning,” opened in 2023, after spending nearly $300 million until the studio’s marketing spending of more than $100 million. It's box office just over $570 million worldwide. While the domestic numbers aren't shocking, people familiar with the project say "The Estimate of Dead" is the best "Mission: Impossible" movie in the series (minus China, the year's China and several other American champions were pretty bland).
The budget for the "final estimate" is reportedly close to a fabulous level, ranging from the high $300 million range to over $400 million. This makes it with the "Fast and Furious" or "Avengers" movies. In 2020, the narrative works are both "The Estimate of Dead" and "The Last Estimate" being filmed simultaneously.
The truth is, according to a studio insider, they were shot continuously. Paramount sources said the "final estimate" is expected to have the best outings. The film has to make not only cash, but also the perfect landing to nearly 45 years of Cineplex.
A successful Cannes launch could make the series and its stars deliver the delivery they need.