Go to the Cannes Film Festival (Vinicius Jr.)

Heading to the Cannes Film Festival, its Marché Du film market will host five competitions and participate in exhibitions performed at the World Film Festival, and Rio Rio will cancel the competition on May 17.

If the editing has anything to take, then a lovely era fantasy drama, the film Clarice and the Stars is produced by Luminar in Brazil and co-produced by Aurora Aurora E² and Brazil’s Instituto vini Jr., a non-governmental organization (NGO) established in the 2022 education by Real Madrid’s Non-governmental organization (NGO) targeting residents living in 2021.

"Amanda and Caio" marks Daniel Ribeiro's latest film, which won the Berlinale Queer Teddy Award and Panorama Fipresci Award, his first 2014 film, The Way He.

Brazilian movie plays match - Kleber Mendoça Filho's "The Secret Agent" - In Co-Pro's "Black Snake", the acid of Cannes. They are also in market choices, such as Fernanda Alves Salgado's lyrical sad "ANA, EN PASSANT", Annecy Animation display case in Cannes, and the forthcoming Marché display case such as the genre-centric blood window.

However, with the support of Rio de Janeiro Int'l, organized by Marché Du films and by Marché Du films. The film festival, Brazil's premiere film festival, and the audiovisual secretariat of the Brazilian Ministry of Culture, Rio (Do Rio) participates in the Cannes Film Festival, which is part of this year's celebration of Brazil's honors nations at the Cannes Film Festival.

Entering the title is not only about attracting Rio de Janeiro ("Clarice and the Stars"), but also São Paulo ("Amanda and Caio", "Sistermaids"), Alagoas in northeastern Brazil ("We are not dreaming") and Santa Catarina in the south, and in the South ("Value Women"), the lineup also illustrates the lineup, while all busy filming, both with boundaries and patrols. Summary of five titles:

Ribeiro (“The Perfect Ending”) broke into the scene in 2008 and won Berlinale’s 14plus Genert Plus Best Shorts, “You, Me, Me.” Since then, he has won 54 celebrations. Otherwise, all directors - Leticia Pires, Ulisses Arthur, Cintia Domit Bittar, Carol Rodrigues - all made their debut in the novel.

As the United States enters autocracy, Brazil's cinemas are working to help the country emerge. The festival DO Rio lineup captured the new zeitgeist and drove under President Luiz Inácio Lulada Silva to support the film and television industry.

A good example is: “When the trans community is under attack on many fronts, the film moves in the opposite direction. From the main actor to the background, everyone on the screen is trans,” said Diana Almeida, producer of “Amanda and Keo”. "Sister Maid" attracts not only racism, but also more unusually colorism - discrimination based on skin color. These five champions are all made by young black filmmakers or trans actors or super-save transgender.

One of the biggest things about “Amanda and Caio” is that although Amanda and Caio’s experience is completely related, it is despite being transgender. Similarly, “Clarice and the Stars” “stay away from the edge narrative that is often seen on the screen,” said writer director Leticia Pires. Vinicius Jr. Similarly, “Sister Maid” “was originally intended to reflect how racism and colorism shapes black family relationships,” said director Carol Rodrigues.

Under Bolsonaro, in 2019, Brazil's Independent Tribunal CONTAS DA UNIAO (TCU) frozen its huge federal film and television Audiovisual (FSA) from Brazil's Fundo Setorial Do Audiovisual (FSA), a concern about accountability. Now, new or hiking federal, regional or other funds are powering Brazil's industries. All five champions have FSA funding, and “Clarice” is backed by Rio de Janeiro Investment Fund Riofilme; Rodrigues said Paulo Gustavo Law Covid-19 rehabilitation funds are key to completing “Sister Maid” financing and ensuring post-production. "Benefit Women" received a grant from the Santa Catarina government.

In Latin America, few action is more exciting than female genre films that use or overturn genre conventions to question gender perception and conventions: thinking about “friendly beasts,” “good manners,” “Medusa,” “Clara Sola” and “Clara Sola” and “Huesera.” In the selection, the “Sister Maid” recruits supernatural or at least magical realism. Director Cíntia Domit Bittar said: "'Virtuosas' stands out, "beyond the 'ultimate girl' feminist horror: it delves into the psychology of complex, flawed women that embrace or exploit distorted beliefs. ”

After seven years together, Amanda and Caio moved in. He dreams of the future with her. She dreams of more. Then Amanda meets Joo. "Some people like fading. Others will change," the log says. Almeida suggests that the relationship drama from Ribeiro and his career producer Diana Almeida is one of the Lacuna films in St. Paul, and is likely the first feature film to be performed entirely by Trans Cast. She added: “Rooted in emotion, complexity and transformation.

Clarice was told to make room for a new baby. Shocked that she may no longer be the apple in her parents' eyes, in the attic she discovered a magical book introducing her to the fantasy circus Aquarius, who learned to face her own fears. "The profound and poetic vision of childhood, imagination and resilience was produced by Pires' Luminar Filmes, which was created by Pires' Luminar Filmes, which was founded for professionals historically excluded from the industry and co-produced by Instituto Vini Jr. and Aurora E. Latino.

"A psychological drama with supernatural elements written, directed and led by black women," said DP, producer of "Sister Maid" by Gato do Parque Cinematográfica. In it, Sandra revisits cousin Mariana’s house, where she grew up. Both are black women, but the world reads their skin tones in different ways. “When they reconnect, long-buried memories are forming: ghosts of childhood, lineage, love that never completely left behind,” the abstract ruled. Rodrigues said he won the Honor Award at the 2017 Brlab and Frapa Honor Awards, which is "a story about forgiveness, self-forgiveness and recovery in the face of violence," Rodrigues said.

Exclusive VIP retreat for virtuous Christian women will fall into chaos and horror in an obscure witch legend. The debut of the novel show Domit Bittar, its 2019 "Summer Ball" won the best shortage at the Cartagena Festival in Colombia. “By fusion of acid humor, social criticism of super preservation, denial of Christian fundamentalism and suspense, the film weaves a tense journey of power and paranoidness, while also underscoring the dangers of underestimating the reactionary women’s movement,” she said. Producer Ana Paula Mendes added: “This film reveals Brazil, which is rarely depicted on screen.”

Virtuous woman CíntiaDomit Bittar's Court

Arthur described Arthur as a “sexy rebellious drama” and was selected as part of the Projeto Paradiso, Brazil’s Incubadora Paradiso, whose script development was directed by renowned director Marcelo Gomes (“Cinema, Aspirin and Condor”) in an example of the admirable community spirit of the Brazilian cinema. “We are not dreaming. It was produced by Céuverho Fogo Filmes, focusing on Auteurist, ungodly stance, especially on the issues of race and queerness in contemporary Brazil.