At the beginning of the historical drama starting at the beginning of the beginning of Cherien Dabis Everything you leftThe protests broke out in refugee camps. In 1980, the occupied West Coast and Noor (Muhammad Ablrahman), the outstanding Muhammad Ablrahman, is a confident and energetic Muhammad Ablrahman. Palestinian teenagers joined the demonstration. In the next scene, his mother Dabis stared at the camera solemnly.

Premiere in Shengdans, Everything you left From 1948 to the most recent, tracing the history of a Palestinian family. This movie marks the third time at Dabis at the festival. Her previous works Main and May in summer Both appeared for the first time. This is a moving and intimate narrative about the cost of the passage of several generations. Despite the long -term action rate, how is the expelblement ability?

In the past year and a half-Israel's bombing of Gasha and the recent ceasefire negotiations have restored a dialogue on the dilemma of the people of Palestine. These discussions have been supported by some recent documentary (such as watermelon pictures). Zero from the ground Now is the Oscar nomination (not allocated in the United States) movies No other landEssence The former provides a relatively real -time Gaza damage record, while the latter records the method of Israel's occupation of the West Coast.

DABIS's thoughtful features supplement these eye -catching works by providing accessible historical backgrounds and emotional portraits of survival. Although Everything you left In the last scene, I was in trouble, and the conclusions drawn in earlier conclusions, Dabis stood out from the actors, causing us to invest in this multi -generation story.

For Hanan, Noll's story began in 1948's grandfather in the Arabian-Israeli war. This period is also known as the first Nakba or "disaster", which is a kind of bruteer rupture, of which thousands of Palestinians were expelled from their home. Sharif's arrest lens (OmarAdam Bakri was exposed to the sun in his Orange GROVE, and the first chapter of several chapters in this decades of stories. The orchard was sitting behind his solemn home, and he lived with his wife (Maria Zreik) with his children.

In addition to the command and performance, Dabis also wrote a script. He paid attention to the quiet life of Sharif, and how the British disrupted it after the Palestinian withdrew from the Palestinian. From the distance, their weak explosion filled Sharif's enthusiastic portrayal of Bakri to soothe his family members. He insisted that the moment would become more heartbreaking at this moment. Sharif eventually evacuated his family from Jaffa, but he chose to stay to watch the house. His farewell, a dirty thing, unveiled the separation of generations.

Dabis's films are particularly moving when focusing on the seemingly mild moments: Sharif stood in the orange woods. His children excitedly recited the Arabic verses at dinner, or left by car and left. Tears were full of tears. The elegant photography of Christopher Aoun emphasized poetry of these events. This also makes the rupture more painful. Shortly after his family left Jiafa, Shelif was arrested and sent to a prison labor camp. He was brutal and he became his own shell.

The next main timetable jump is brought Everything you left By the early 1970s. The old man, Sharif, who is now played by Mohammad Bakri, lives in a refugee camp on the West Bank. Part of this chapter starts with a rejuvenated wedding and another farewell. This is how Dabis introduced the subtle political comparison between Sheleve and his youngest son Salim. Blue CAFTANSaleh Bakri. (This is the gentle touch of Dabis in these characters as the gentle touch of father and son in real life.) Compared with Sharif, Salim prefers to stay under the radar. Boys wearing poetry and poetry are now an ideal man with relatively irritable temper. Bakri plays a soft and gentleness: the retained educator, we see them helping children to avoid severe reality with imaginative games, but to forget the memories of his childhood in Jaffa Essence

In this section, the film's strongest Dabis draws portrait portraits under the occupation. The reality of her entitled curfew, the regular humiliation of the Israeli soldiers, and the marriage nature in a close narrative, emphasized the increasing differences between Shelef, Salim and later Noor.

Run about 145 minutes Everything you left Move at a stable speed to cover up its runtime until the last chapter. After the backward narrative of Hanan, this story recovered in 1980. There we learned more about Noor's fate and experienced a period of sensitive journey, because the cruel bureaucratic institutions of racial isolation have intensified Time -sensitive journey.

From there, Dabes's movie was awkward to the last scene. This section may benefit from more stringent editing; early moments more effectively convey the director's point of view. In the last time, sometimes it seems that it seems that different endings have been put together.

Nevertheless, the Palestinian Americans have produced a movie, and their thoughtful performance will be strongly performed. The director made a sensitive change in Hanan, and she anchored a narrative of the portrayal of the protective mother. But this is four men, responsible for reflecting the pain of generations, this is a form Everything you leftNine nucleus.