In 2018, Shia LaBeouf was in what he called a "mental illness". So when we find ourselves in a very need of help, the actor does what many of us do: He goes to Twitter. In the video posted by Labeouf on the website (now called "X", Blah, etc.), he declared himself an idea. There is a space called Slauson Rec Center in south-central Los Angeles. He will be there on Saturday morning and Saturday next Saturday and after. Anyone who wants to join him is welcome to appear. It's kind of like a "class", though don't expect performance classes. Labeouf is indeed looking for collaborators for some definite projects. No previous industry experience is required. Participants only need “a story that needs to be told.” They must study the truth specifically. Becoming 100% true is a Big Trading to LaBeouf. Remember that idea.
One of the people who answered the call was 21 years old from Leo Lewis O'Neil, Texas. He has had a tough time since he arrived. The idea is not only meeting movie stars, but on the ground of some bold new creative efforts, Labeouf is willing to play, which feels too good to pass. Plus the center is five minutes from where he lives. Honestly, the first Saturday is more than class. But there is an unpredictable, real-time energy for practice and communication.
O'Neil is a budding filmmaker who is used to a camera. LaBeouf was happy to have him shoot everything. Next Saturday, he asked Labeouf if he could become a formal archivist at Slauson Rec Theatre Company. The actor said yes.
Years later, the chairs were all thrown for a long time, the jet-engine-level screams disappeared, the tears dried up, and hope for a few trained artists was a beacon of hope, a man's rock that shattered a man's heart on a man's rock, O'Neil, O'Neil, another question was raised. Can he sit him on the footage in the documentary to see what went wrong? Rabyff replied that this must be 100% authenticity. But again the actor said yes. Thank God, he did it. Otherwise, we wouldn't have anything that is the most outrageous, unfiltered, prisoner-free portrait of a celebrity who lost his recorded shit ever recorded.
premiered at the Cannes Film Festival on Sunday night, Slauson Rec Captures the good, bad and ugly existence of the company's two years of change. But the end result is that the three-way tie is a lie. "Ugly" wins here. Documenting Labeouf's impatientness with the team ultimately leads to biblical anger, physical attacks and some real asshole behavior, it paints a truly terrifying picture of its subject. Even though O'Neil signaled, a love for his old mentor, Labeouf still stands out like a monster. Those who care about basking in Shia-denfreude will see more evidence of his disgust in heaven. As celebrity-driven car wrecks deteriorate exponentially, the rest of us are simply forced to watch between our fingers.
Naturally, all voices, anger and 5 types of tempers will appear. Sorus rec Treat those glorious early days, full of endless promises and comprehensive star abutments to reflect the students' own boredom. Labeouf gives these dreamers not only a safe place to fail, but also a "lab" where they can indulge their imaginations with people with juice. He provides encouragement, excitement and feeling that they are equally part of the mission of “as many creative churches as possible.” O'Neal also picked out some Shiite apostles, especially Zeke, who was a Hispanic 20-something in his twenties, with the goal of becoming "one of the greatest actors of all time", and a serious, horse-loving young woman named Sarah. They seem to be random choices that can be placed in focus. Spoiler: No.
However, the overall focus is that the utopian community is circling strongly around characters. Not even waving in the way their presence affects the surrounding southern central communities - are they inclusive enough? Responsible to society? - And losing the original space will slow them down. When they began a 10-minute workshop showing the larger work of the “newcomer” to the public, the atmosphere was the “show that reassuring us” enthusiasm and part of the Kool-aid tigning-timping Cult. The positive reception they received was a reinterpretation of modern dance Human cent Enough to make them think that their fearless leader’s goal to change the world is just around the corner.
Cut to: March 2020. The pandemic has put some momentum in the company, Zoom conferences tend to evolve into a power drama in the competitive Politburo, and Labeouf exercises veto power. Everyone was frustrated. No one wants to give up. The solution to their stagnation is a dramatic drama that will combine theater, improvisation and cinema. Called 5711 Avalon, It will be done in the parking lot and in Labeouf's words "the epic of the Sun Theater". By this point, O'Neal has shown us what happens when the band's masters get angry, because he has an unsatisfactory focus on his feelings and swept his voice. Once they start rehearsing in outdoor spaces, the Shiite short fuses get shorter. One day, the player's interpretation of this slowly developing work was the second time The death of the salesman. The next day, it was "Dogshit". Secret, contradictory notes are given, and things get fragile when they don't follow the letter. You can feel the storm on the horizon closer, closer, closer….
When it arrives, its strong winds are designed to destroy everything on its path, and good luck. Sorus rec Labeouf unleashes a torrent of high volumes of verbal abuse, or the dew-coated s-coated shimmering around the suit, no actor or folding chair is safe, or the actor he feels he feels himself "attitude", no actor or awkward on the stage, it's not sugar-coated or soft. It simply presents them as you stare, talking incredibly easy. There is no other way to describe Labeouf attacking smaller, younger Zeke or holding another actor against a wall instead of "attacking". As the rehearsal begins to outline 70 days in a row of markers, the threat of violence will be pending, which will only be pierced by actual moments of violence. Sarah is the most religious person of Shia disciples, and he refuses to see her sick mother in the hospital because she is afraid that she will be fired if she misses the rehearsal. Labeouf waited until she went to her mom's funeral. Then, after running her scene with another actor, he thought it was worth firing her in the absence of her.
These are creepy moments, and there are a lot of people talking about it when they are talking Sorus rec. Trust us when we say they are really hard to bear. You'll be embarrassed by Labeouf, who obviously (and is self-deception) turns his inner monologue of self-loathing into those who just want to please him. He is the first to tell you that he is his own greatest enemy - but listen, my frog, why did you let a scorpion like me climb on your back? You will feel sympathy for someone who is trapped in this cycle with him. In the eyes of many people who have helped promote this ongoing experiment, you will feel that your celebrity is his celebrity. (Sarah actually called it up. It wouldn't help her.) The genius forgives everyone's idea, first of all, a preference for "honest", which means never having to admit that you're just an inner asshole, being rigorously tested here. All this shit is unforgivable. This is a portrait of the artist as a giant madman of authoritarianism.
When O'Neil 5711 Avalon And the disbandment of the group, he really managed to capture two extraordinary moments of honesty. He arrived at Labeouf's home and was recording an autopsy interview. The star said he was signing because it was "the ultimate sign of virtue." He said I hope to feel cool about it and let his self-promotion fight for himself with his hatred and self. That was the first one. The second time was when Rab Yve admitted that he owed everyone an apology, some more than others. He wasn't sure he could make the modifications, but he wanted to try it. You will suddenly hear the crying happening behind the camera. O'Neil kept the shot for a long time, his sob heard, and Labeouf suffocated quietly on the screen.
You realize this Sorus rec From the danger of good intentions to the way you become famous does not remove your flaws, which is a lot of things, but exacerbates them. But in the end, it is indeed an extraordinary act of seizing the closure. And it is hard not to think that a group of people standing among the audience at the most prestigious film festival in the world gave him a stand to applaud, and O'Neal's sense of closure at that time might not be just a little bit of it. Labeouf was there, wearing a beard, which was the cross between the policeman in the 1970s and the gunmen in the 1870s. But he kept putting the spotlight on the filmmakers, knowing it was O'Neal's night. The document will eventually become the legacy of the entire Saul Entertainment experiment. The star has begun to change the world. Instead, he retreated and watched another person's life change before his eyes.