Welcome to Lynchlanda slight but pleasant documentary dedicated to the life and work of America’s premier film surrealists, was given an emotional reception at the Cannes Film Festival Wednesday afternoon. The love for David Lynch was 78, who died in January at 78, evident in the premiere of the legendary Palais des Festivals in Cannes, with numerous fans and industry Auteur wept as the lights rose.

Lynch's eldest son, Riley Lynch, introduced the documentary on the spot with his director, French filmmaker Stéphane Ghez.

"This festival was really cool, cool for my dad," said Riley Lynch, 33. "I last time here was in 2002 - when my dad was president of the jury - I had a tenth birthday party here. Sharon Stone brought out the cake - very cool." "Thank you so much for having me. It's a very exciting time, I haven't seen this movie yet, so I'm so happy to watch it with you."

Only one hour of running time, Welcome to Lynchland As an introductory work of Lynch, it tracks the basic outlines of his life and legacy while jeopardizing several rose-book theories of American innocence and nightmares in the style of his career.

The documentary is made in a linear way, forming irony with Lynch's famous nonlinear narrative Eraser headHe spent less than $100,000 in five years, laying the foundation for his commitment to artistic independence and unrestricted visual experiments. Elephant man and dune Mark Lynch then enters the Hollywood system, the former being a critical victory and the latter being a tortured misfire that will bother him for the rest of his life.

His answer is Blue velvetthe film reestablished its own control and cemented his reputation as a visionary chronicle of the darkness of the suburbs. Actress Isabella Rossellini reflects on the film’s disturbing material and autobiographical elements while resisting the restorative interpretation.

Lynch Wild insidedreamy Mulholland Driveand scattered Lost highwayreceived thoughtful attention, and tone outliers A straightforward story Obviously not mentioned. Ghez includes comments from collaborators such as Naomi Watts, Laura Dern and Kyle Maclachlan, as well as Lynch’s biographer and former partner, adding warmth and intimacy to the biographical sketch. A quirky "egectical expert" also emerged, humorously acknowledging the futility of trying to fix the meaning in Lynch's work.

Dern makes passionate and thought-provoking claims Inland Empire In Lynch's work, and behind-the-scenes footage of the archival footage of the director's work on the freely borrowed years of independent projects is particularly revealed. if Welcome to Lynchland Eventually converting the emotions between Lynch in any way, which may be right Inland EmpireThis confused many critics when it was released in 2007 (currently, rotten tomatoes have a fresh rating of 72%).

Lynch was a regular visitor to Cannes throughout his career, and his pioneering work was recognized especially in early France, and for most of his later years he spent most of his time working in visual art projects. Lynch Wild inside In 1990, he participated in the main competition of the festival for the first time. Lynch and his cast performed equally in the legendary awards ceremony of that year’s festival, reflecting the super violent surreal romantic road film split the Cannes Film Festival on the day’s Cannes Film Festival critics.