Chaos and false cliffs

This post contains the destroyers of this week's episode Our last onenow streaming on Max.

In a sense, this is the second season finale of the second season Our last one It feels like a wrong name. Yes, this is the last part we will get this year, or perhaps co-creator Neil Druckmann, which is over a year. But, except that Ellie is the main point of view character in the series, this is by no means the conclusion of anything. There is a stupid cliff that seems like Abby shoots and kills Ellie, a classic case of what the TV author calls "schmuckbait" and only one who knows nothing about storytelling or TV doesn't know what it seems to be happening, and then this story goes back to Ellie and Dina, and we focus on Ellie and Dina, and we're like Abby.

. The season ended not that much because it was suddenly and a little confused. When we first caught up with Abby in the stadium, she held a copy The City of Thieves ,novel

Game of Thrones Co-creator David Benioff, about two young Russian men, was sent out in meaningless missions during World War II. It seems considerate, even if they are looking for eggs (representing an officer who wants cake at his daughter's wedding) instead of revenge. This is an inherent risk of allocating source material in multiple movie or TV seasons. When it works you get two recent dune The movie, it feels like Denis Villeneuve takes so much time to properly cover the important material in this book. When not, it's like the original ending

Hunger Games The movie series, which feels like a naked cash rush, fills the point where it only pleases the most stubborn fans. (Sometimes not even them.) Compared to the first season 9, there are only seven episodes, this round

Our last one

There is not much feeling incomplete. Yes, serialized drama is built to make stories that bleed from one season to the next. But usually, whether it’s completely resolved within that season or to the last important turning point, there’s a clear sense of character and/or story arc. Not that. Here are four episodes of Ellie seeking revenge (minus the opening chapter and Joel flashback), and all sorts of people suggest why this could be a bad idea, all of which lead to a literal explosion, and then a shift in perspective. It feels like we only get half of the story because we don’t know how long it will take for the other half to arrive. Regardless of any previous issue, this is an incredible way to start stretching out disruptions. Editing selection Even if you accept that the show has to tell this story of revenge, no matter how much chemistry Bella Ramsey and Pedro Pascal areSmarter

Walking zombies

executive power has always existed - there is more to anything related to Isabela Merced compared to the strength and magnetism shown by Ramsey.

For beginners, the season’s way is Ellie and Dina’s decision to stay in Seattle, once they not only find out that the wolf is much bigger and more organized than they thought, but also learn that Dina is pregnant. If the show portrays one or both of them as ambivalent feelings about the parents’ thoughts (whether in this particularly broken, horrifying world), the thoughts they stay will become more emotionally meaningful. It would be a way to delay thinking and even let fate make decisions for them. But from the moment Dina told Ellie, it was obvious that they were both happy with the possibility. However, they still refused to leave. Until after Dina was injured, until early in the ending - after Ellie finally told her all the story of what Joel did and why Abby came for him, Ellie already knew most of them - Dina finally acted like someone she once regretted, once regretted, endangered herself and herself and her pregnancy.

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After that - and after a long and incredible explanation how Jesse was able to track Ellie and Dina in a vast urban environment he had never been to - our heroes began to plan to drive Hell away and catch Tommy on the way home. Jesse scolds Ellie for blame for selfishness. We might have been standing by her - she is the main character, he is someone we hardly know - But nothing he said seems unfair or unreasonable. In such a reality, when Maria and friends manage to establish a relative paradise like Jackson, Ellie’s decision to take off this crazy mission goes far beyond the risk to herself and Dina.

Besides the flashback plot revealing how many shows were lost by killing Joel, it also highlights the disappointing work this season has done in building many newcomers, Jesse and even Dina. She's been all over the season and he's gone more than halfway. Neither character developed as fully as Joel’s father and Gene did in each minutes in the final episode. Some of them are honors for older and experienced actors like Tony Dalton and Joe Pantoliano. But the young Mazino and Isabela Merced did well. They just haven't been excavated like veterans. Young ManznoLiane Hentscher/HBO When the trio set out to find Tommy, we had another big structural problem this season: We didn’t know anything about other Seattle characters. If Druckmann, Mazin and Company decided to show these things only when Ellie learns it - it would be confusing in an interesting way if the woman was exposed to a handmade or corpse, and would only see the serum whenever a woman encountered a handmade or corpse, without having a wolf crossed directly with Ellie and Dina. It makes sense now that the plan will switch to Abby's POV for a while. Instead, we get the background that the protagonist of this season doesn’t have, but don’t have enough knowledge to really understand the conflict between the Wolf and the Six-Winged, even playing a role between different WLF factions. Ellie was captured by the Elpachs and could only be rescued from the demolition because they all needed to escape and deal with the attacks of Isaac's troops, and it would be even more painful if we knew who she was to these people and why they did this to her. Ellie's thumbs up as she wanders around the bookstore again Monsters at the end of this book a self-awareness Sesame Street When Grover reaches the last page, Grover encounters the title character and then rest assured when the monster turns into him. Our last oneThis was already done when Joel became a monster at the end of the season. Here, it seems we are going to go to the sequel. On the way to save Tommy, Ellie figures out where Abby has been hiding and then chooses revenge instead of family again. When Ellie gets there, Abby leaves, but she manages to kill two of her companions and is shocked to realize that one of them is very pregnant. She tried to give birth to the baby herself through her dying mom's instructions, but that's not

Pitt

(Not

Station 11

another biggest apocalyptic drama, revolves around childbirth with memorable plots). Ellie didn't know what she was doing, she failed in the improvisational mission. She has become the exact measure of punishment for Seattle, and she has begun to recognize that. Hot stories might feel like a character arc for a year if it weren't for the transparent fake cliff. But the shooting is annoying, and the POV transition is not executed as gracefully as it should, ending an unbalanced season on the real tramp. Kaitlyn Dever is a world-class actor in his own right, perhaps moving Abby to the forefront of the narrative will eventually put this revenge plot in a strait. But, whether it works or not, it's a long way to go. Until then, we have to consider this ending.