Are we always living in America’s most popular male singers may also be one of the least popular male singers in America, and the country only needs to hold these opposition ideas? Even if anything similar to a monocultural culture of popular culture, our extreme polarization will surprise…and surprisingly, if you get stuck in that bubble, you don’t know that your love or disgust is not a shared sharing of the entire country. Take Drake, a big loser in Kendrick Lamar’s hatred, as an example. Didn't he feel ashamed of using his tail between his legs? Not in the real world, his "Nokia" song has been ranked in the top five for several months in a row. More importantly, taking Morgan Wallen is of course a scourge...besides making his worship masses this The most successful record artist in the past five years and one of the highest-grossing stadium headlines.

Wallen's new album "I i the Comess" is expected to debut with about 500,000 units when the first week of May 25 results are released. If this prediction holds true, it will be the highest bow and arrow of the year, which will be his previous effort, the "one thing" of 2023, which is a "one thing" that spent 19 weeks on the Billboard 200, the first place in the Billboard 200, and the longest running of the Adele Artele Glory for Adele Ardele of Adele for Adele glory of Adele the 2011-12 2011-12. Wallen is the superstar in the "God Country" favorite love in "God Country"... Some coastal types of wishes want to quickly export faster. Should we be shocked by this gap? How “bad” are the bad boys chosen in the United States? Is America making moral statements by constantly returning him to his place, or is it just a musical manifesto?

Always listening to "My Question" - no small task, its 37 songs were released in 57 minutes of 1 hour - most notably Wallen has little interest in actually playing Provocateur. Although his life or social currency depends on it, he can't make a controversial statement with cameras, laws and common agreements with cameras, laws and common agreements, if his life or social currency depends on it. The only audiences that could possibly take offense at his actual content would be evangelicals ("Under that full moon she was 'bout halfway naked in my truck bed, so I helped her with the rest" is his endorsement of alfresco sex) or vegetableants ("He told me, hold the light / Pulled out a buck knife / We talked about life / While I held the left leg," he sings about racking up bro time on a hunting trip). Yes, there is a symbolic country boy hitting the national anthem ("Back to the Countryman") compared to some of Hank Jr. Jr.'s retro anti-urban raves, but almost considered reconciliation, not to mention the average stripes of Jason Aldean.

No, to be wronged by Wallen, you still have to focus on his external achievements – most notably, casual use of the N-word could ruin his career in 2021, and then the end result proves that it can improve. Wallen, unreflected by luxury, avoided his head and technically free skating…this technique is a massive popularity that can be forgiven by anyone who violates the law. Conservatives have no real malice in Wallen - opposite to Kanye West and seeing some liberals' ongoing desire to expel public life is proof of the cultural extremes. There is still minefield in that bay: Anger is targeting "SNL" just to book him, and even before asking questions, did he suddenly walk and give them middle fingers. When The New Yorker made a lengthy criticism of “My Question,” there were tweets attacking the publication to the point of even negative notifications for this obvious racism and public threat.

Wallen really stands out and wants to be alone and become an apolitical, romantic, romantic superstar. Of the 37 "Problem" songs, the vast majority of bemoan bud tund tund Brighups or his own recognized tendency to self-destruct. That's probably why the middleman in America loves him: not because he's a possible companion, but because he sings fucking...whether he's enough to deal with that elephant in the fucking room in 2021 or not. "Stars: They're like us--drunkenly nailing those who abandon us." Brands are immature immature. Does this have a side order of cultural wars? perhaps. But for Wallen fans, it's probably the most relevant thing he has as a guy who fights for defense - whether against perceived cancel culture or the escaped national hottie.

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There are 37 songs to appeal to, "My Question" is both so huge and slight that you can say it has a lot of censorship, or it doesn't at all. Both methods are difficult to question. Leave past or present controversy or violations from it and consider the album in its own way (or maybe not a defensible isolated stall), but there is still much to say for this more compact 10-inch country album. because course It doesn't take an hour or 57 minutes. course Most of the album is only on a few highly predictable topics and course Its epic volume represents his third consecutive shot, which is his massive streaming volume, rather than the heavy artistic weight required for Auteur to get out of it. But taking all of this stuff into consideration Givens, if all of this had some way, if most songs had some craft for them, how impressive would they become?

I imagine the writer's room was to create more than three songs (Wallen was the most but not all co-written, and usually relied on his usual steady co-writer, even because of those who he didn't participate). I started thinking of Lucy at the chocolate factory and tried to keep up…but the candy here is about the boundaries of lost love, horniness and excessive drinking (sometimes an active life lesson). I don't think Hank did that, nor did he, Harlan Howard. But I find myself admiring the dozens of good lines I encountered - even if I complain about gro chanting across the beam, there may not be a single song on this album. I think: These are mainly products that a bunch of Nashville dads slammed the clock together, trying to imagine or remember the feeling of getting stuck on their ex. Sometimes, they remember it well and bring a good hook to it. In other words: this is not a horrible album, whether you or someone else might want it. This is also twice as long as one-third. (What's left on the cutting room floor?

But it is advantageous to have artists provide so much output in some kind of art data dump, and it is finally starting to form a worldview through a large number of songs. There are few happy songs here for beginners, which may reflect the position of Wallen’s head, or may reflect the commercial power that every country artist he now talks to, who hope they can do it and focus on something more melancholy. Wallen's several times on the album's fun attitude, which is because he focuses on the scratches he believes in God's gift to him, or recalls a good person to him. Or, of course, because he is about to be put on hold. But the recliner is mostly one or two night stands, and for revenge, its pleasure revenges. There is a notable song, "Superman," in which Wallen sings a son, knowing he is not the best example ("One day, you'll see my photography from one night when I was a little drunk"). But the idea of ​​mothers is without tunes, and there are no tracks on the album you imagined to have a true long-term relationship with the woman who happened in the past or present. In fact, in the so-called rural golden age, there are many similar songs because a person loses himself in a bottle (or in revenge) when he is left behind. But in those days, when country fans favor age, you imagine divorce being part of the picture. It is impossible to imagine Wallen or any woman he sings getting married. It is a new country - young, focused on connecting culture, pursuing pleasure - and becoming increasingly painful by the pain of loss - few people under the age of 20 can directly relate to it. However, we all experienced the rejection of Wallen giving a lot of songs. Even if you graduate from the days you were left in the country/hip hop line dance, you still feel nostalgic about it.

But can his fans come up with the title of that album? Apart from the initial perfunctory, he showed little remorse for the past public utilities, did he use "I am the problem" to let us know he knows he has a problem and provide some kind of general's Mea Culpa? OK, sometimes, but he is not consistent there. (Surprise.) In the title track, he suggests he is no Actually the problem is - because if he was, why has his stability not left him yet? It's not me, it's you It seems to be the actual theme of that song. The following song "I Better" belongs to the same general defense force: the narrator gets better once he leaves. So many responsibilities.

But as the album evolved, he succumbed to his grief tendencies more. He sang, “Don’t leave it in the bottle, it’s all in my breath.” “Since that lonely night I met with that girl, I won’t trade because I won’t sell it.” (Good luck, but you got the point.) The whole song is about depression, and this girl seems to just give some motivation for the lyrics because it would otherwise be too desolate: “The sunset is started/When the sky is when it’s not all dark til til til light.” Morgan Wallen looked at the blank, and blank turned back and said: This is a bottle of Johnny Walker with your name on it.

You hurry to take any album seriously with an album that explains the amount it offers as a merchandise for a very long time. Wallen occasionally cheers up and provides an elevator for the audience, just like in the party’s “Miami”, who has correctly predicted his traditionalist in an interview, which will make him a traditionalist’s paria because it plugs the classic Keith Whitley into something unclassic. (The influential website that saved country music is called "Miami," "the worst song of his career or anyone else.") N-word controversy is one thing, but for rural firms, disrespect for Whitley is an unforeseen sin.

For the most part, though, Wallen is content to focus on the Holy Land…it is probably right to assume that people without music journalists will immediately listen to the entire two-hour range and think too hard about how many bummers pile up. Some of these frustrated music have the power to make it feel less like a barrier – “Smile,” for example, is an late entrance that makes him less hard at his accent and breaks a more powerful shaky sound than you know.

But the hint of redemption is that Warren will allow himself…on record, perhaps who knows about life. Bad people are good for business, just as he finds the whole fan reacting to what he calls cancelled reactions, he vows to consume their consumption. Does the world really love someone about how he learned some lessons? As a arrogant mess, on the brink of awakening, but never quite got there, it was the role that helped Warren stumble to the bank all the time. He will be a wise fool.