"Andor" Season 2 Ending Explanation: Amazing Twist in the Internal

ending Ando It seems that a lot has been booked: Cassians have to be alone anyway and on the way to the incident Rogue One. So it's hard to imagine that the show brings any surprises to its series finale - except to absolutely do it. In our latest interview with show host Tony Gilroy, he explains the twisted ending and addresses other burning issues in Star Wars drama Superb Season 2.

Let's make the final twist correctly: So Bix knows she was pregnant with Cassian's kid when she left Yavin, right?
I think this is a way to play the game. I won't object to this. I think Adria (Arjona) did it for this (with her performance). I have no idea about math, but people would think it has something to do with it. Yes.

I didn't see it coming, I think it's smart. But if people start thinking, “Hey, now we can have one Ando's son 30 years later spin-off show setup” (because that's how people tend to think about Star Wars - are they missing the point?
I want to be full of hope at the end. I want to accomplish something positive. Rebellion is based on hope. I want to respect people who have been sacrificing throughout the show. Meanwhile, if I could do this and give Disney a reason to be happy instead of ending with a bummer attitude, why not?

It feels like sometimes something that catches are organic, and it feels like we check ourselves: Are we too cheesy? But we won. I think we really made money. As you said before, the critical point is really realizing that if it is in her mind, if she knows she is pregnant, it helps give this decision to leave.

Luthen's assistant, Elizabeth Dulau, I think people are impressed with how important people's roles have become this season. She is a favorite character for a dark horse and I'm glad she's become a bigger part of the story. Do you always think that she will actually go out?
It's one of the real fun of doing this huge and long-term thing - because you come in, you're sketching and you're doing things, and you're looking at the question, what's right, right, and "Oh my God, my God, see how great this man is." and Elizabeth Dulau, which is her first show. She came out of (British Performance School) Rada. Never performed. There are several other actors who are played and then left to take on bigger roles and other things. She comes in and we realize, "She's really great. Oh my god. She's standing in Skarsgård."

And I never knew what Gillevi O'Reilly would be like. She is a legacy character, but my god, she is a Stradivas! Elizabeth Dulau, divine nonsense. We don't have any bad movies on Elizabeth. She shattered every scene. You want to start pushing the envelope: "What can she do?" So it's an opportunity to have a meeting, and be aware of what someone can do.

In the speech of Monmosma Senate, many similarities were attracted. But where is this for you, especially part of the importance of objective truth?
This is a problem for a long time. Again, you can quote chapters and verses throughout the century, and that's a real question. I would ask for indulgence in this moment, and I try to stay eternal rather than fixed. I will rely on the fact that history is always relevant. Is this about burning books? Is this about the Burning Witch? Is this about Galileo? What is this about?

There is no truth, no justice. I think that over the past 500 years, speeches may have sadly worked and still have meaning in many governing bodies. False flags, propaganda inflammatory incidents. The Burning of the Capitol: "Oh, let's round up all the Communists and all the Jews. They burned them." Tonkin Bay brings us into Vietnam. You can keep moving forward.

When will this speech be no Is there any correlation? I have no idea. If there is relevance now, it will be too bad for us. We happen to live in history more than we may have to care about.

People want to know if and how power goes into the show. Together with the Power Therapist who has read Cassian Wealth, you find a way to incorporate it into it and introduce the idea of ​​this fate. The way I read, the idea of ​​ensuring Cassian achieves his destiny is key to Bicks' decision.
Completely, yes.

Therefore, it looks elegant. How did you get together, what are you thinking about?
As you said. I want her to leave. I've considered killing her in different ways, but I want her to leave. I would be disappointed if we didn’t have some aspect of the troops. If we had these conversations with the show, I would have completely ignored something so important, and it was so important to many people and such an important part of the world, then I would have been disappointed.

So when it merges together, its entire fate aspect starts to become very attractive. I think, why not fate? He is in Aldhani, in Narkina. What has he gone through - Why is he still alive? So amazing. What saved him? What is this about? What is the least tacky way I can understand?

If it were me, would you be afraid? The reluctance to fate is as fascinating as accepting it to some extent. His fear of it, his reluctance to it, and then eventually keeping the person he loves the most away from him. We have to get to a place where everyone she will leave feels legitimate. And I think when we go through it, we finally find an emotional truth. There are a lot of conversations.

Now, you've already done a genre like sci-fi, and has that changed your mind about what you want to do in the rest of your career?
No. (laugh.) If I can, I want to go back and guide. I want to put the movie down. I'm not sure, but I want to come back. I wrote a script all summer and the show made me a better writer of the order of magnitude that I couldn’t even understand because most of the things you wrote weren’t produced. Many times, you are spinning the wheels. To do this, everything we wrote, everything that came out of this room started shooting and filming. And...I have 1,500 pages, 24 hours of scenes, with great actors and great directors. I got a significant improvement from the show. Whether it stands out, it gives me a huge advantage as a writer. I am a better writer now than I was five years ago.

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I am proud of what we have done. I don't want to sound arrogant or something like that, but it's hard to imagine that I'd be doing something as important to me as before. At this point, I want to run well with my ribs. I feel like a kicker, playing all season, my knees are good, I'm ready. I really feel like my game has started and I want to use it when I get the game.

I'm curious that if anywhere, you'll be surprised in the creation of Season 2.
What we all do to these characters. In the last montage (where they are), Dedra is in prison, Genevieve and Val, Kleya wakes up and says, "Oh my God" - when did what to do to them...I don't know, maybe maybe Someone Too smart, they can plan. I There isn't that kind of visionary power, but it's really cool to get there, "Wow, see what's going on." It's a surprise.