Alejandro G.Iñárritu has always known how to enter. The four-time Oscar winner returned to Croisette this week, not in the new film that premiered - at least not yet - but in honor of the memorial doga masterpiece of dynamics, he began his career a quarter of a century ago.

The third anniversary screening of the Mexican city set Triple League was held in Cannes on Tuesday night, with Iñárritu attending the meeting, just putting his latest project (Brutal Comedy) starring Tom Cruise and Sandra Hüller in London. The celebrations are not retrospective, not reawakening. New dramas are re-released dog Planned later this year and the immersive museum installation, the production of a book, and of course the director’s many stories, introduce stories that almost didn’t happen in the film.

“At that time, in Mexico, we probably made seven movies a year, too.” Hollywood Reporter At the Mondrian Hotel in Cannes, he stayed in the same place as when Amores Perros was brought here 25 years ago (and was also known as the Big Man). "There is no real national cinema. If you make a movie, that's it. That's your shot. I poured everything into that movie. All the contradictions, anger, love, the chaos in Mexico City are there - everything is there. That's why it's messy. That's why it's alive."

Altavista Films’ private financing budget is a shell’s $2 million budget, a rare Mexico in the late 1990s, where most movies are still subsidized by states – dog In the past few months, edited by Iñárritu himself at home. Starring Gael García Bernal, the film weaves three stories in his breakthrough roles that are associated with violent car accidents, each revolving around characters interacting with love, loss and the brutal baseboards of Mexico City.

Especially a scene - a tough underground dog fight - is real. No animal was injured, but the crew was almost left behind.

"We filmed in one of the poorest communities in Mexico City, just been occupied by gangs, crack city," Ina Retu recalls. "One day, I called with Alfonso's brother Carlos Cuarón and I felt a gun on my head. I looked back at my photographer and took the gun on his head with the gun. These guys robbed us - robbed us, all the equipment, all the equipment. I gave them my watch, my watch, not even worth it, but it meant a lot to me." He continued, "But the location was perfect, so we went back and negotiated with them. We said: If you let us shoot, you can go to the movie. Is that scene? That's them. That's the people who robbed us. I asked them about the medals, but they said they had sold everything."

Submitted by Iñárritu dog For the Cannes Film Festival, the film was initially rejected by the festival’s Latin American programmers who thought the actor was too long and too violent. "We begged them to show it to the main committee. They said no," Iñárritu recalled. "At the time, you had only American cinemas, European cinemas, in the main competition. Latin American films were on the side in the slums they called 'The World Cinemas'."

Eventually, the film landed on the sidebar of Cannes Critics Week. The premiere screening was not going well.

"People walked out and I thought, 'That's it.' It's over," Iñárritu said. “Only afterwards people told me that those were international distributors and went out and told their people to buy the movie.”

dog Continue to win the Critics Week. Lionsgate seized the rights of the United States and helped the film grow globally. It will eventually have more than $5 million in the domestic box office and more than $20 million worldwide. It received an Oscar nomination for Best International Feature, kicked off a director's career and marked the informal start of the new wave of Mexico - a movement that soon joined friends Alfonso Cuarón (And your mom) and Guillermo del Toro (Pan's Maze) - Bring Mexican cinemas to the global mainstream. "Suddenly, we're not long, we talk to the world," Iñárritu said.

iñárritu has huge plans to mark dogThe Jubilee of him is being screened in Cannes with an ambitious visual installation that will be exhibited in Milan in the city of Fondazione Prada (September 18-February 26) and in the cities of Lagoalgo (October 5-January 3, 2026), with LA display cabinets also planned. The director edited the video with the video of "One Million Feet Celluloid" shot in the original film he shot and never used footage. "When I edited the movie, it was 2 hours and 45 minutes, and that was 16,500 feet. The remaining nine and eight million feet were stored at the National University of Mexico, just like wine," Iñárritu said. Mack Books will release volumes in the film later this year, including stills, scripts, behind-the-scenes anecdotes and collaborators’ prose.

The film will receive a proper dramatic re-release and will be released later this year. "So young people can see it on the big screen, not just in one of them," Iñárritu waved his phone.

Iñárritu also used his Cannes tour as a soft launch for his next field experiment and performed with Tom Cruise. New movie is temporarily set Judyjust finished production in London. It marks the director's Mission: Impossible Superstar.

"I can only say it's a cruel, wild comedy, disastrous proportion. It's crazy. It's scary, funny and beautiful. I know comedy isn't what people expect from me or Tom, and making this movie is terrible to me," Iñárrritu said. "But I don't want to repeat myself, every movie should be a little scary. I think Birdman It's a comedy, a dark comedy, and it's a challenging comedy. Tom makes me laugh every day. He has this complete commitment, this madness. ”

Oscar-nominated German actress Sandra Hüller (Anatomy of autumn) is part of the ensemble actor Julywhich also includes Jesse Plemons, Riz Ahmed, Emma D'Arcy, Sophie Wilde, Michael Stuhlbarg and John Goodman.

“Since I Love Sandra Toni Erdmann,” Iñárritu recalled. “I met her in Cannes that year (2017) and have always wanted to work with her ever since.

Judy Pinewood Studios in London packaged the work. Iñárritu said he will start editing the film "next week." Judy The drama will be released next fall through Warner Bros.