As if your garden breed serial killer is not scary enough, Australian terror shows the characteristic of "dangerous animals" as a disease, and the weapon of its choice is...shark. In some ways, this concept is more terrifying than the razor-tooth creature itself, as most people can avoid being hacked to death just by avoiding any known shark hunting water. Now imagine, be aware of your business, just being eliminated, tied and dragged to the sea, where some sadistic people hung their fins in the water, and he recorded everything for his personal snuff movie library on VHS.
We have screenwriter Nick Lepard thanks to Sean Byrne for these vivid new nightmares of “The Devil’s Candy” director, that efficient and efficient thriller barely allows a quiet moment to question how its premise really deceives its premise. Instead of hiding the mind, the "Dangerous Animal" introduces the sketchy travel captain Jai Courtney earlier, but passes through the town like his aggressive predator. Not that the American couple waiting next to his boat had any way to feel the threat he represented.
The clumsy partner booked the trip without hesitation, the muscular Tucker flirted shamelessly, half a thrill-seeking American couple hoping to swim with the shark (from the protection of the underwater cage, of course, from the inside). Unload the bar, and the young lady's half was all about waking the boat. Tucker is almost erotic from the live baits fed to these prehistoric carnivores, which come in all shapes and sizes, including Dabai so large that it might quote posters from the most successful shark movie ever.
Steven Spielberg's classic blockbuster may have produced dozens of imitators, but "dangerous animals" is something different - more "saw" than "chim", which is largely sadistic by its very humanized monster. Apparently, the title refers to someone like Tucker, like the shark he identified. But it may also describe the next victim Tucker’s goal: a thick loner Zephyr (played by “Yellowstone” star Hassie Hassie Harrison), who looks like the young Jennifer Lawrence and packages the same unpopular person as you, we’re associated with “The Hunger Games.”
Zephyr spent her childhood among foster families and has since been sworn in with her true passion: seeking the best wave in the world. This obsession brought her to Australia, despite Zephyr's strict policy of not interacting with locals. At this point in the film, Tucker's depth of depravity has not been revealed, although we have seen enough sharing Zephyr's vigilance against strangers - this position immediately meets the challenge of Moses (Josh Heuston) after catching her shopping in town.
In several short films, Zephyr and Moses spend knowing each other, the tone of the "dangerous animal" is a very different tone - we may have stumbled upon something on the CW: the two actors are so attractive, their flirting is almost adorable, their flirting is too cute to accept (Moses cooks pancakes in the morning after meeting, and her eyes will all stimulate these scenes, but these scenes will all become), and will surely find that once they encounter range, once they have laughed at, once they encounter a certain range. After all, this movie is smart enough to make us care about Tucker's horror.
When Courtney first surfaced in the tough films of Jack Reacher and Vengeance a few years ago, the powerful young star hints at the kind of brick wall security guards crossing their arms outside a New York nightclub. He has only become very brave since then, and the version of Courtney seen here could have devoured such a bouncing leap. This means, you won't beat someone like this by brute force. You have to surpass him. But he didn't do much work for Zephyr, putting her on the steel bed in the locked cottage on the boat.
Lepard's script does not reduce Zephyr to the girl in distress in just one second. Instead, it recognizes that if Moses waved all the intentions to save her, our engagement would be even bigger, just be beaten, bound, and turned into another play of Tucker. While everything described so far has to sound like it’s for some rampant exploitation movie, the “Dangerous Animals” looks very stylish and very clever. The scenes by Byrne repeatedly compose this way show that all of these beastly natures are only a short distance from society (party boats and resorts are just an arm’s eye), but they offer no hope, but their music can drown out the screams.
The compliments to the production designers made Tucker's boat feel like a floating slaughterhouse. Zephyr found the names of the victims who had previously been engraved with paint on its thick walls. Elsewhere, Tucker kept a cabinet containing about 40 video boxes, each marked with a lock of a name and hair. In "Dangerous Animals", we don't have to see this devil killing dozens of girls to get the photos - it's terrible to let our imagination infer from the limited clues. Don't worry, before this movie, someone was eaten, it wouldn't be a shark.