Indian movie “Shadow Box” accepts mental health at Berlin Film Festival
A retired soldier, who is coming to a crisis through the working-class Bengal family and its ups and downs, forms the emotional core of “Shadowbox” (“Baksho Bondi”), set to premiere the world on the viewpoint chain at the Berlin Film Festival .
The function of the Bengali language marks the directorial debut of photographer Saumyananda Sahi (Oscar nominated for “All Breaths”) and editor Tanushree Das (“Eeb Allay Ooo!”). The film producer has revealed a clip specifically type.
The movie star-acclaimed actor Tillotama Shome (“Mr.”, “gunj in gunj in the gunj”) is Maya, a woman who works in multiple jobs- From house cleaning to chicken farming to laundry–watching her husband Sundar (Chandan Bisht) (Chandan Bisht) and their teenage son Debu (newcomer Sayan Karmakar). When Sundar is linked to murder investigations, Maya must drive social bias and her own complex decisions.
“Genesis comes from two different places,” Sahi told type. “Tanushree has a dreamy image where her mother collects clothes before it rains, and my childhood memories are a friend, father and father suffer from serious delusions. He thinks he is God, I was shocked by the obvious love and my friends’ respect for my father. I grew up with those issues with family dynamics and was very aware that what I saw from the outside was not what I looked from the inside.”
It took a decade to come true, and the filmmakers (couples) realized that they needed to be parents themselves to fully grasp the emotional depth of the story. “We actually knew the idea very early on, but we realized that we still didn't understand it,” Darth explained. “When we became parents, in the first year, it was the hardest year, we Realizing the power of this story. Literally, this is our second child.”
The film brings together the impressive Indian cinema as the main voice of the producer. Musician producer Naren Chandavarkar (Moonweave Films) leads the project and joins with documentary film producers Shaunak Sen (“All Breaths”) and Aman Mann via Kiterabbit Films. The executive producer lineup includes actor Jim Sarbh (“Rocket Boy”), filmmaker Vikramaditya Motwane (“Black cert Chorrest”) and producer and director Nikkhil Advani (“Midnight Freedom”) Through Sumitra Gupta Arts Foundation.
The extensive roster of co-producers brings together established names for Indian independent film scenes: Shome, Dheer Momaya (Jugaad Motion Pictures), Sidharth Meer (Sidharth Meer (Bridge Postworks), and international co-producers Dominique Wellinski and Isabelle Glachant (Shasha & Co Production & Co Production, Shasha & Co Production, France). Other co-producers include Prashant Nair (Spanish Nomadic Media and Entertainment), actor producers Anjali Patil (Anahat Films), Anu Rangachar (Anu Rangachar (Grateful Films, USA), Ishaan Chandhok (Criss Cross Content) and Shruti Ganguly ( Honto88, US, US)).
When Sahi pointed to the unique production group, Sahi noted, “They are all our friends.” “Everyone brings more than just money. Shaunak reads the script and provides feedback. It becomes Become a community built.”
The directors used their technical background – Sahi as photographer and DAS as editor – to maintain a lean pre-production period, spending a year at the shooting location before a compact 22-day shooting. “Because we are technicians ourselves, it gives us a lot of freedom to really spend time without considering the budget,” Sahi explained. “We can make a big decision to live in this place for a year ready to go,” he explained. Work – Otherwise it's a luxury.”
For casting, Bisht caught Sahi's attention when he was a photographer in the Netflix series “Judgment of Fire.” “His eyes have some real mystery.” Karmakar, who plays his son, was discovered through actor director Suman Saha, who also served in the Bengali language of the film Conversation with the writer. “He is a yoga expert with a calm in his eyes. So you feel a lot of depth and sadness that is hard to find in teenage boys.
Filmmakers want viewers to associate with the film’s exploration of lasting love when it is impossible. “I really hope they remember these invisible women,” Darth said of the film's central theme. “Everyone has these women coming, they feed us, take care of us, but they can't see it. I hope They remember at least one of them.”
Sahi added: “What we left behind is a journey of love – something that could break down and is tied together in some way. Hopefully lasting in these relationships, not a happy ending.”
The husband and wife who directed the duo were already developing the next project, although they approached it with patience. “We might make a movie in five, six, seven years,” Darth notes. “We want to pay all the time.” They are considering exploring new cultural and linguistic fields with sophomore characteristics and accepting the work The long immersive process required.
Watch the clip here: