Capture the city of Chu Ge with originality

In “Khamoum”, the five protagonists and four film producers tell the story of a life full of life, and even a long and vicious war cannot make it darker. Before the outbreak of the war, film producers began to produce a way to tell a story that can only tell in the city they like. This dynamic perseverance and creative professional ethics make “Khatuckou” a necessary watch.

The five protagonists are Lokain and Wilson, which are two young bottle collectors trying to make a living. Jawad's volunteers in the place where he opposed military dictatorship. Khadmallah, owner of the teahouse owner from the Nuba Mountains in western Sudan, managed her small corner to become an oasis for friends and passers -by. Then there is Majdi, a civil servant, because his life comes from the oppression government, and at the same time eager for freedom and prosperity for his family.

Each of these narrative threads is captured by a separate movie producer: Lokain and Wilson, and by Rawia Alhag, Jawad, Timeea Mohamed Ahmed, Khadmallah caught by Anas Saeed and Majdi, BRAHI. m Snoopy captured. Once they reorganize in Nero Bi, everyone plays a different role in each other's stories, becoming the real collective collective and a group of displaced people of film producers, trying to establish a community in a foreign country.

In Khamoum, the film tracked the period after the military coup in 2021, and the period of usurped the peaceful revolution of the people during this period, and the revolution ended 30 years of dictatorship. These five major drivers must cope with the dimmile white hope of the beautiful future, and the city burned demonstrations and rallys for military rulers. No one knows not the worst. Once the war broke out between the two rulers, escape became the only safe out of the film producer and its protagonist.

At Nero Bi, they were re -created at the moment when the war began. From the perspective of four different perspectives, the day of fate was four times that day. LOKAIN, Wilson, Khadmallah, Majdi and Jawad not only plays themselves, but also play roles in each other's stories. Movie producers captured in front of the green screen, and then added visual prosperity and animation. These scenes are also painful because they are not taken away in the chaos of war. Since they all appear in all the stories, the film incorporates a collective story of Sudan, not the four independent stories of the five people. They are not actors, so they cannot truly reflect the characters, although their faces tell that skilled actors can say more. All of them witnessed the cruelty of war, so they can of course show horror. They found the community in the process.

“Khamoum” may not only tell the story of a city destroyed by war emphasizing the diversity of the urban population. The camera hovers on the face of different ages, backgrounds and races, showing the harmony of different governments, racial traditions and customs attempts to end. These are perceived cameras, showing the familiarity and love of the movie producer for the city. Each framework is sore with this love.

In the soundtrack, I heard nostalgic music. These are familiar songs and national anthems that every Sudan will definitely recognize. Their lyrics sings pride, love and community. Movie producers chose these cleverly to make the audience better in the past, and at the same time, it shows that it can come back. If they can save and make this movie, then Sudan has hope, because this spirit is still alive and is not exacerbated by war and division. The film producer not only re -created the war, but also re -created the war, but when the hero's fantasy and happier moments returned to Kayoumou, the filmmaker made the hope alive.

“Khartour” is as messy as the collector of the first producer. They did not play the camera when they grew up. It has no polishing, but its strength comes from its authenticity and creativity. These filmmakers gathered together and found the way to end the story. This is a form of form itself, never pretending to be the real document of the incident. It uses many different elements (including green screens, animation and fantasy flight) to complete a movie that cannot be completed in its original location. It is both the creative work of film producers and its protagonists and the treatment mechanism. Regardless of whether they have been to Khamome, the audience may still feel warm light.